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Also, most plug-ins are developed for the main formats – so when you buy one, you simply choose and install the format that works within your DAW. You’ll see that all major sequencers have their own formats for virtual instruments, but the good news is that there’s now increased cross-platform compatibility, so that plug-ins developed for one DAW can now work in another. We’re going to delve into the murky world of virtual instrument formats now. MusicTech runs regular freeware roundups, so be sure to check out our next one in a few issue’s time, or check out the best freeware at Virtual instruments in a DAW They represent a great way to get into music production, as you can find everything you need to make complete tunes without spending a cent. Now, there are literally thousands of them available for you to download and use in your DAW. They offer everything – from simple guitar strumming to elven singing from an emulation of a theremin to an emulation of a £100,000 grand piano – all playable within your laptop.Ī thriving freeware scene has also emerged, where people developed their own instruments for everyone to use, free of charge. More recently, Spitfire Audio, Toontrack, Big Fish Audio, Melda, Heavyocity, Output, and Best Service are part of a newer breed of companies producing ever-more-complex instruments and sample libraries, which can be controlled and recorded within your DAW. Arturia, Native Instruments, GForce, Fabfilter, U-he, Spectrasonics, UVI, Rob Papen, Waves and iZotope, to name but a few – all of these have produced incredible and notable plug-ins.


More and more companies appeared and produced excellent emulations and fantastical instruments. As processor power increased, a huge number of more complex virtual instruments started appearing, with more emulations of ‘real’ instruments – that is, guitars, pianos and other acoustic instruments – and more complex synthesisers, which could eventually do things in the virtual environment never dreamt of in real life.
